Film characterize of Harry Potter (2005)

Harry Potter fans are a unique breed. We don't just appreciate the books; we live and breathe them. We aren't just customary with the storylines, we are obsessive about them, spinning theories and examining every word, every detail, with manic intensity. So, the brave soul who takes the helm of a Harry Potter film should resign himself to the fact that his artistic effort will be nitpicked to death. No matter what the strengths of the film on its own merits, fans will lament the exclusion of their beloved scene, plotline, or character. Screenwriter Steve Kloves has been working under this sort of pressure from the starting of the series, and fans often only allow his liberties because he assures us that he has consulted with author Jk Rowling every step of the way.

Now that that's out of the way, I want to reiterate that I am not one of those people who thinks you need to have every detail from the book in the films. It can't be done, for one thing, and it's not necessary, for another. The story in Goblet of Fire is very well-written, clean and clear from starting to end. Kloves and director Mike Newell keep the focus where it belongs, on Harry and on Voldemort, with the story hung on the buildings of the hazardous tasks of the Triwizard Tournament.

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The Harry Potter movies have all the time benefited from perfect acting. The strong cast of veteran actors supporting the young newcomers has been a method which started the films off on a strong note. If the Trio (Dan Radcliffe as Harry, Emma Watson as Hermione, and Rupert Grint as Ron) were clearly still new to their craft in the first two movies, they were just as clearly growing into it by the third film, Prisoner of Azkaban. We began to get an idea of just how well these young actors could act.

Film characterize of Harry Potter (2005)

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Customer Reviews

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In Goblet of Fire, they finally bloom into full-fledged leading actors, mining the inherent we all the time suspected was there. Watson and Grint are excellent, giving deeper and more nuanced performances than we have yet seen from them. We are fortunate that the material in Goblet of Fire is more emotionally intense and sophisticated, and it is a pleasure to see Watson, Grint, and supporting players Matthew Lewis, Bonnie Wright, Robert Pattinson, and James and Oliver Phelps rise to the new challenges their roles now provide.

But this film belongs to Dan Radcliffe. For the first time, Radcliffe becomes the leading man, the title character. Radcliffe carries this film, and the perfect supporting cast is just that-support. Harry is a teenager straight through and through, not a fifteen year old actor trying act like an adult, which makes his emotional highs and lows all the more poignant. We can see that Harry is deeply affected by, but has very exiguous idea how to deal with, the apparent defection of his best friend, the unavailability of his crush, and the life-threatening danger of the three Triwizard Tournament tasks. The dramatic climax of the film, after the third task, marks the apex of Radcliffe's execution in a scene that is compelling, intense and heartbreaking.

Mention should be made of the appetizing evil characters in this film. Jason Isaacs is back as the sneering Lucius Malfoy, and Tom Felton returns as his son, the ever-hateful Draco. David Tennant portrays the escaped Death Eater, Barty Crouch, Junior, who, along with Timothy Spall's traitor Peter Pettigrew, is responsible for the rise of the most evil enemy of all, Lord Voldemort. Voldemort, embodied by Ralph Fiennes, is both creepy and powerful-not just magically, but physically, which was a new dimension of that character for me. He has the snake nose and the charisma, and when his buttons are pushed, he has the rage and the megalomania required in an evil overlord. The malevolent arrogance evinced by Fiennes' Voldemort makes him a real threat, and for a moment, we are unsure that Harry should face this creature.

Newell's directing keeps the film absorbing along at a fast clip; it never drags, even in expository or emotional scenes. It's tightly put together, with the focus squarely on the amelioration of the story. The only qoute is that sometimes, the clip is too fast. There are moments we want to savor, and can't. It would be lovely to spend more time exploring both Ron's and Harry's reactions to Hermione showing up at the Yule Ball with an unexpected date, or to be given a occasion to hold our breath in suspense while waiting terrified in the graveyard.

As an obsessive Potter fan myself, I'd like to take a occasion to offer my own complaints. These are not necessarily critiques of this otherwise perfect film-- those will come in a moment-but simply the things I loved about the book that didn't make it into the movie. I recognize that only readers of the books will understand much of the next incorporate of paragraphs; in the words of Hagrid, "Sorry 'bout that."

I didn't miss the whole S.P.E.W. Storyline, but I worry that without it we miss the gawk to Hermione's kind heart and public conscience. We also miss the association in the middle of Harry and Dobby, which becomes leading in later books. I missed meeting the elder Weasley brothers, and seeing the starting of the association in the middle of Bill and Fleur. I can live with all those cuts pretty easily, but the ones that stung-in terms of character and plot development- were the following three:

-The practically total lack of Sirius. The one Cgi appearance doesn't cut it. One of the major themes of Goblet of Fire is Harry's slow process of opening up and depending upon an adult, after a series of undependable adults in his life. Sirius is the one adult who loves Harry unselfishly, who risks his own life and leisure to be there for Harry when he's needed, and who cares for Harry after the traumatic events of the third task. I think that the story is done a disservice by the dismissal of this plotline.

-The second scene that I missed was the short scene, also after the third task, with Mrs. Weasley attending to Harry in the hospital wing. Harry, to his shame, begins to cry, and Mrs. Weasley wraps her arms around him and holds him. The occasion is deeply poignant, and further cements the bond in the middle of Harry and his surrogate family, the Weasleys.

-Finally, I regret the gloss-over of the very leading storyline absorbing Neville's past. Goblet of Fire is the book in which we learn what happened to Neville's parents and by whom it was done. Neville reacts badly to a chapter on the Cruciatus Curse, used to magically torture people, but we never find out why. Frank Longbottom was mentioned in the Penseive scene, but no result up happened in the middle of Dumbledore and Harry, so the detail was too authentically lost.

Each of these needful omissions is a indication of illness of a disease I have only recently been able to identify. In this franchise, each movie has been treated as its own independent unit, rather than a one-seventh of a larger story. There is very exiguous care in any given film to build on the plotlines and character amelioration from the preceding film. I don't regularly assess the books to the films, but this is, after all, the same story, told in two separate media. Reconsider the beautifully continuous flow of one book to the next; Harry makes no sudden leaps of maturity or intellect, but he does make ongoing gradual ones. Details from book one are remembered and addressed in books three, four, and six. Questions raised in book two are left hanging until their answers come to be life-or-death matters in book six. people mentioned off-the-cuff in books one and three die terrible and plot-defining deaths in books four and five. The examples of the perfect connectedness of each of Rowling's books go on and on.

Have any of the three directors, not to mention screenwriter Steve Kloves, even read all of the books, or do they only read the one they're working on? Do any of them see their effort as part of a much larger story, rather than just their crack at "a Potter film?" I truly feel that Newell did as well as anyone could have done with Goblet, and I also think he produced a very strong and well-made film. Love this film. I was only slightly disappointed with this film; for the most part I was impressed and pleased. But as long as each director is concerned only with telling this story, rather than this part of the much bigger story, the Potter films will never be all they could be.

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